Art PRO MPA II Guide de l'utilisateur Page 7

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WARRANTY AND SERVICE INFORMATION
Limited Warranty
Warranty service for this unit will be provided by Applied
Research and Technology, Inc. in accordance with the following
warranty statement.
Applied Research and Technology, Inc. (A R T) warrants to the
original purchaser that this product is free from defects in work-
manship and materials for a period of five years from the date
of purchase. A R T will, without charge, repair or replace, at its
option, defective product or component parts upon prepaid
delivery to the factory service department or authorized service
center, accompanied by proof of purchase date in the form of a
valid sales receipt.
EXCLUSIONS: This warranty does not apply in the event of
misuse or abuse of the product or as a result of unauthorized
alterations or repairs. This warranty is void if the serial number
is altered, defaced or removed.
A R T reserves the right to make changes in design and make
additions or improvements upon this product without any obliga-
tion to install the same on products previously manufactured.
A R T should not be liable for any consequential damages,
including without limitation damages resulting from the loss of
use. Some states do not allow limitation of incidental or conse-
quential damages, so the above limitation or exclusion may not
apply to you. This warranty gives you specific rights and you
may also have other rights which vary from state to state.
For units purchased outside the United States, service will be
provided by an authorized distributor of Applied Research and
Technology, Inc. products.
SERVICE
The following information is provided in the unlikely event that
your unit requires service. Use this procedure to return units in
the United States only. For service outside the United States,
please contact your authorized A R T distributor.
APPLICATIONS
Microphone Preamp
The main application of the PRO MPA is a microphone pream-
plifier. Plug any microphone directly into either input and set the
input and output controls to provide an appropriate level into the
next stage of your system.
DI (Direct Input)
The PRO MPA is ideal for use as a DI box. Plug the instrument
into either input and use the XLR or 1/4 (or both) outputs to
connect to your recorder, board or PA system. Experiment with
different Input Level settings for different textures.
Mastering (2-mix processing)
Because of its low noise and excellent tonal qualities, the PRO
MPA is ideal for running mixes through before recording to DAT
or cassette. Used as a mastering device, the PRO MPA is capa-
ble of adding warmth and, if set properly, gentle tube compres-
sion to the incoming signal.
Low noise and variable Input and Output level controls make
the PRO MPA ideal for level matching material in post produc-
tion situations.
Special Effects
For industrial, metal, or just ÒflavorÓ textures, experiment with
the PRO MPA. Cascading the channels can produce overdrive
and tube distortion that can add interesting textures when
blended with vocals and different instruments. Placing signals
purposely out of phase can yield interesting results. No harm
will come to the PRO MPA with this type of experimentation.
However, be sure to have output and monitoring levels turned
DOWN before ÒtestingÓ the sound. When running one channel
into another (cascading), you have the potential for upwards to
120 to 140dB of gain.
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